Deru Anding

https://www.deruanding.com/

I am an artist and architect based in West London.
My medium is black ink pen and marker on Fabriano paper. I create a series of drawings and am currently working on a Biophilia project focused on nature and culture themes.
I was brought up in the forest of Borneo and my work reflects my heritage of living in nature.
My drawings series began in 2010 amid the financial crisis. Then after the pandemic struck in 2019, I have been rigorously spending more time on drawing series in which I am seeking a representation for my works.

Yorgos

https://www.instagram.com/u.said.it/?hl=en

My name is Yorgos (U.SAID.IT), I am a Painter and a Street Artist.

My multi-cultural upbringing, dark materialism, gender inequalities, fear, and uncertainty in our world in crisis has inspired my work on human complexity. Rather than focusing on cognitive justifications and expressions, I follow human gestures, taking physical interactions as signs for meanings, emotions, and relations. The moral and emotional qualities of human beings are embodied and emerge through the movement of the body and its interaction with space. The bodies are naked, which enhances its distance from socially constructed views of class, distinction, beauty, and sexuality.

rabia shahzadi

https://www.instagram.com/raaabees/

My name is Rabia shahzadi I am a visual artist lives and works in London. Text is the main object of my visuals because the text is considered the most personal language of any human being, through this unreadable text, I usually describe my personal biography and the truths which one cannot express in a loud voice or which are not acceptable for the society. My work is an amalgamation of text typography and historical figures of the traditional miniature painting of the sub-continent.
The combination of text, pop colours and historical figures is a visual appearance of my thoughts about the significance of the history of sub-continent miniature art in past and today, besides this, I want to leave the representation of colouration and compositions of the visuals open for viewers that one may symbolize its many perspectives.

Maximo

poliedric artist with a keen eye to every material and shape, nature inspired, compromised by the industrial. definitelly gone on my strange way

Yoni Alter

Website

West London contemporary artist

Peter Hirst

http://www.peterhirstphotography.com

I am a retired educator who has taught painting and photography in Ealing schools for over forty years. During that time I never stopped producing my own photographic work. Since retiring I have increased my photographic output, self-published several books of my photographs and also exhibited, most recently in the current Royal Academy of Arts Summer Exhibition.

Karina

Website

Professional expressionist artist from Ukraine. I have been in the creative field for 20 years. During this time, I founded my own art gallery and drawing school, sold paintings in Europe, Canada and USA.

Morgasmik

www.morgandavy.co.uk

Morgan Davy, Full time, self taught, British outsider artist,
Spray painting the streets since 2001, and working with clients, running workshops and curating events since 2004.

Art residencies include: Lebanon, Africa, Malta, Bulgaria, Poland and Paris..
Art collectives include : TAA - RA - MSC - RMC - ETL - REK - PBC…

Most often known for his style of improvisational street art under the
name ‘MORGASMIK’, lesser known under such aliases as ‘MORGANARCHY’,
‘MORGANIC’ ‘ ‘MORGANISM’ which are used by the artist to portray a
vast range of explorational mediums and alternative creative platforms.

Art critic Nick Razzo once described one of Morgan’s pieces
"Like a sort of hypnagogic supernova all mixed up with Francis Bacon
and the brain scans of someone enjoying an orgasm. At one point it
seems like a sea of rare chemicals on a distant planet, at another it
resembles a monstrous bird. The attention to detail is awesome,
ensuring that if you are examining it from three inches away or 10 feet,
you get a mighty jolt of aesthetic pleasure. If this nature of art was a
genre of music, it could be found under a ’psychedelic surf-funk’ section!”

Almost as if an act of social, or self-therapy, each piece he paints in public, is like an an expressive
statement, or a peaceful protest in restoring the value of human potential & faith in Artistic freedom.

His intentions are to become a unique & personal experience to the viewer, stimulating new thought
patterns & imagination, inviting them to look within and awaken an inner depth of dormant senses,
breaking down possible conditioning and preconceived notions the viewer may have along the way,
whilst connecting with them through a mutual resonance in the universal language of Art & inspiration.

This is important to Morgan, as he witnesses and is sensitive to the dull lack of honest creativity
+ colour use in societies day-to-day capital, and with this motive, attempts to restore imbalances by
decorating urban grey matter with his rosy glow of colour vitality & free-flowing pattern undulation,
A calling to the direction of Art to be more inclusive, free and publicly accessible to wider audiences.

Halimah Sadia Zakiuddin

https://www.instagram.com/zakiuddinhalimah?igsh=MW1qenIzeWFlNG9vbA%3D%3D

My name is Halimah Sadia Zakiuddin. I love art and have been painting for several years. I also like pottery, mosaics, jewellery making, sculpture and glass art. I am also a writer and poet and like to write poems to go with my artwork. I've exhibited at Bethlem art fair for 3 years running and I also exhibit at W3 gallery.

Eva Joy Lawrence

Website

I am a multidisciplinary artivist whose ideas circulate around protest, apocalyptic possibilities, climate change and utopia. I often take an anarchic view to traditional spaces for art and prefer using public interventions and community collaborations to spark energy for change. I grew up in Brentford and I have a degree in Fine Art and Art History from Manchester School of Art and The University of Barcelona. I am currently based in London and I have always lived in cities; the grit and absurdity of which are often captured in my works. My practice sits on a line between humour and horror, humour being a useful tool with which to approach hyperobjects such as the climate crisis and neoliberal global capitalism. I regularly use recycled materials and objects collected from the streets to make work as an act of non-monetary exchange, community cleaning and through which I enjoy subverting the elitism which surrounds the art world.