Stik started painting unofficial, socially conscious murals in his hometown of Hackney, East London in 2001. His simple stick figures wordlessly tell the story of his community and he frequently collaborates with hospitals, charities and homeless organisations. Working from his East London studio, these projects are largely self-funded and he now creates monumental artworks with communities across the world.
Learning in my thirties that I'm autistic has resulted in a journey of reflection, re-evaluation and self love. I paint those who identify as women and non-binary in order to improve compassion towards my internal & external self, relearning a lifetime of neurotypical conditioning and the effects of capitalism on the way I view myself, and to see bodies as the work of art they are.
I create mixed media pieces, primarily using acrylics, and simple materials such as gel wax pens and oil pastels.
JAN STEVENS NAPA (National Acrylics Painters Association)
My paintings are in UK private collections
Selected for Exhibitions at Royal Watercolour Society Open in London, NAPA Summer Shows at Chichester and St Ives, Water Street Gallery Todmorden, W3 Gallery, Orleans Gallery, The Bowman Gallery Richmond.
Jan in Conversation
‘My ethos is fluid, open and colourful. Water flows, so does my abstract art. I am inspired by our amazing ocean, river and coastal landscapes, a quality-loving creative mother and a mathematical engineering fun father. Cornish raised, state-degree-educated, global business wise and South West London living fuse to celebrate my creativity. Painting for me is very freeing, momentary and healthy. Once a piece is finished, I remember a curious happiness from a time well spent.
I often pour water based paints, preferring acrylics for their range of consistency. Gestural brush marks create movement with more solid shapes adding a depth and floating sensation inspired by nature. I like to use companies with a sustainability focus such as St Cuthberts paper mill in Somerset or Fabriano paper mill in Italy. I have a reuse/recycle policy.
Enjoy’.
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I am an artist inspired by hip hop and gospel music... I love to sing and am part of a gospel choir. I currently volunteer at the W3 gallery. I also speak Arabic and do translation into English.
My name is Halimah Sadia Zakiuddin. I love art and I have been painting for several years. I mainly paint scenes from nature, landscapes and abstract art. I also enjoy pottery, mosaics, sculpture, jewellery making and glass art. I'm also a writer and a poet and I like to write poems to go with my art. I've exhibition at the Betart fair for 3 years running and I also exhibit at W3 gallery.
O. Yemi Tubi - An Artist and Advocate for the World’s Peace.
I am a Nigerian-born, American-trained Artist residing in the United Kingdom an artist with a unique personal style. Most of my recent paintings were influenced by the political and social upheaval of our world today and the works of Renaissance artists.
I was moved by emotion to do most of my political and socially influenced paintings “THE EAGLE HAS LANDED” was done to speak about the American-led war on terror. My painting “THE BLEEDING ROSES” was done in solidarity with Christians beheaded by ISIS in Iraq and Syria. I used my paintings “AFRICAN’T”, “HUNGER IN THE LAND OF PLENTY” and “OIL: AFRICANS’ WEALTH AND WOE” to speak about the exploitation of African nations. The Painting depicts paradoxical poverty and the riches of Africa. my work, “THE FISHERS OF MEN” is about the horror of refugees drowning in the Mediterranean Sea. I also used my painting – “UKRAINE: THE UNFORTUNATE BRIDE” to speak about the America and Russia-influenced war in Ukraine.
My works progress from political paintings to paintings of the facts of the life of people.
The theme of my works, in general, is "The Facts of Life: Roses and Thorns." Life is roses and thorns; sometimes it emanates the sweet aroma of pleasantness and sometimes it pricks and causes pains. I often use roses and thorns for portrait paintings of the facts of people's lives. I first used Roses and Thorns in my political painting “THE BLEEDING ROSES.” Since then I have adopted this floral iconography style - Roses and Thorns as my unique style in some of my paintings like “DOMESTIC ABUSE”, and “MY MOTHER, Her Majesty Platinum Jubilee: Her Rosy Reign” to name a few. Roses are for achievements and other positive parts of life and Thorns are painful challenges and negative parts of life.
My practice is about boundaries. I believe The rise of the idea of “posthuman” had, in many ways, shaken the fundamentals of dualism. To think that there is an absolute binary relationship between human and machines, nature and culture, object and image, identity, gender ... etc, is simply missing a lot regarding the quintessence of being. And I believe this “missing” is where contemporary art needto engage. Thus I like to work around blurring and challenging these boundaries.I work with image, live art and various forms of media.
I am currently working withbiometric data and computer language, and how the entanglement of the two creating a condition where I am in between physical and non - physical existence, me becoming together with the machine.
An aim to constantly push and evolve,
To create art that is unique and original,
Fascinated by taking the artisan into the realms of the digital,
Most at home working on large scale pieces and murals.
Created and collaborated internationally,
Always looking forward to the next adventure.
There is usually meaning the work i produce...
But am happy for the viewer to derive their own conclusion,
Or even rate it purely on aesthetics
Drowning in to do lists
Terminal flux
Heavily influenced by; manga, anime, tattoos, graffiti, cartoons, comics, mythology, symbolism, technology
Am available for hire and custom creations
Professional expressionist artist from Ukraine. I have been in the creative field for 20 years. During this time, I founded my own art gallery and drawing school, sold paintings in Europe, Canada and USA.
Karc (born on 06.07.1994) earned her Master's degree in sculpture from Gdansk's Academy of Fine Arts in May 2019. After graduation, she relocated to Alaska and later to New York, experiencing life in both a remote village near glaciers with real threats of bears and lynxes, and the vibrant urban jungle of New York City. In December 2019, she volunteered in Eastern Ukraine, helping people living in the Ukrainian-Russian conflict zone.
Amidst the pandemic, she moved to London and began decorating the city with abstract graffiti compositions, contributing to the rare representation of women in street art.