In every work I create, I put all I have inside. Every piece tells a story, and it is the result of a very specific feeling. All of them are unique pieces created in a time of internal burning. I find no sense in creating a piece without having a strong sickening need to do so. My pieces are made of fire.
Bio: Sarah has worked in the creative industries for 14+ years as a freelance graphic designer, and has now expanded into the area of arts facilitation.
Sarah’s involvement with collective arts creation was stirred most recently while creating a mural at local mental health charity MindFood, and she went on to be a co-founder of Welcome Create, a community art group at Pitzhanger Manor & Gallery.
She enjoys working with all ages, and values listening to the needs and desires of those involved to co-produce ideas, creating a sense of learning via exploration and peer-to-peer interactions, connection and increased self-confidence.
As an Eco-artivist, 'Rubbish artist,' and mosaicist, I pioneer sustainable art, creating works entirely from waste and with the minimum possible environmental impact.
Haunted by mankind’s imminent self-destruction, I believe in systemic re-thinking. Each tessera I create is a protest against our disposable lifestyle.
My commitment to sustainability encompasses every aspect of my life, from veganism to renewables, second-hand clothes, and not flying.
Formerly a City solicitor, I graduated with distinction from LSoM in 2019, where I also lectured Fabrication. Internationally, I exhibited in 100+ venues, was published in 90+ articles and textbooks, and won 20+ awards. I ama member of the Insights Of An EcoArtist community (IOAEA), the By/Design collective, Act for Ealing, BAMM, Heritage Crafts, VAA and Mensa.
I am the founder of Payment in Kind(ness)© (accepting eco-friendly actions as payment towards my artwork) and of ArtforTrash© (creating artwork with the clients’ own waste). I donates 10% of any ArtforTrash commission to Neptune's Pirates (or other environmental charities), and I run pro-bono projects on eco-awareness.
I amnow on retainer with the Institute of Marine Sciences in Venice for the next few years.
I’ve only just begun my journey in printmaking. For a good part of my life I didn’t allow myself to ‘create’. I would spend my time wasting time. Now I’m taking the STEPS necessary to live the best life I can live. Take it easy, but take it! I’m from New York City, but have been living in ‘ManhActon’ for almost twenty years.
I am a multidisciplinary artivist whose ideas circulate around protest, apocalyptic possibilities, climate change and utopia. I often take an anarchic view to traditional spaces for art and prefer using public interventions and community collaborations to spark energy for change. I grew up in Brentford and I have a degree in Fine Art and Art History from Manchester School of Art and The University of Barcelona. I am currently based in London and I have always lived in cities; the grit and absurdity of which are often captured in my works. My practice sits on a line between humour and horror, humour being a useful tool with which to approach hyperobjects such as the climate crisis and neoliberal global capitalism. I regularly use recycled materials and objects collected from the streets to make work as an act of non-monetary exchange, community cleaning and through which I enjoy subverting the elitism which surrounds the art world.
Teddy Baden is not simply driven by a fascination with dogs. Literally viewing them as ‘Hairy Aliens, living amongst us’… his artwork is a celebration of an incredible relationship, of human society’s historic and endearing subsumption of another species. 'Fly Bye' 2015 Near Latimer Road, West London pictured.
Italian visual artist living and working in London.
Her practice ranges from illustration to decorative arts, upcycling and graphic design.
Follow @leftoverpens on instagram.
Carrie is a self-titled craftivist who works from a mosaic-covered HQ, The Treatment Rooms in west London. Her work blurs the boundaries between craft and activism, using the craft techniques of mural, mosaic and screen-printing to create intricate, highly politicised works of art.
As an Eco-artivist, ‘Rubbish artist’ and mosaicist, I pioneer sustainable art and create my artworks entirely out of waste.
Torn between optimism and surrender, haunted by the idea of mankind’s imminent self-destruction, I believe in a future through systemic re-thinking. Every tessera I create is in itself a protest against our disposable lifestyle. I thoroughly enjoy working within the ethical and material limitations involved, working with materials which often take years to gather, and whose legacy I like to extend beyond their mere creation, as the starting point for a continued, multi-faceted narrative through layers of staged photography.
Gesamtkunstwerk, my commitment to sustainability encompasses every aspect of my life, from veganism to renewables, second-hand clothes (…) to not flying.
Ex-City solicitor, I then graduated with distinction at LSoM in 2019, where I also lectured Fabrication. Internationally, I exhibited in 100+ venues, was published in 90+ articles and textbooks, and won 20+ awards.
Founder of Payment in Kind(ness)© and ArtforTrash©, I also run pro-bono art projects on eco-awareness and sustainability.
I am now on a retainer with the Institute of Marine Sciences in Venice, collaborating with the institute and with some prestigious art institutes over the next few years.
My practice is about boundaries. I believe The rise of the idea of “posthuman” had, in many ways, shaken the fundamentals of dualism. To think that there is an absolute binary relationship between human and machines, nature and culture, object and image, identity, gender ... etc, is simply missing a lot regarding the quintessence of being. And I believe this “missing” is where contemporary art needto engage. Thus I like to work around blurring and challenging these boundaries.I work with image, live art and various forms of media.
I am currently working withbiometric data and computer language, and how the entanglement of the two creating a condition where I am in between physical and non - physical existence, me becoming together with the machine.