Morgasmik

www.morgandavy.co.uk

Morgan Davy, Full time, self taught, British outsider artist,
Spray painting the streets since 2001, and working with clients, running workshops and curating events since 2004.

Art residencies include: Lebanon, Africa, Malta, Bulgaria, Poland and Paris..
Art collectives include : TAA - RA - MSC - RMC - ETL - REK - PBC…

Most often known for his style of improvisational street art under the
name ‘MORGASMIK’, lesser known under such aliases as ‘MORGANARCHY’,
‘MORGANIC’ ‘ ‘MORGANISM’ which are used by the artist to portray a
vast range of explorational mediums and alternative creative platforms.

Art critic Nick Razzo once described one of Morgan’s pieces
"Like a sort of hypnagogic supernova all mixed up with Francis Bacon
and the brain scans of someone enjoying an orgasm. At one point it
seems like a sea of rare chemicals on a distant planet, at another it
resembles a monstrous bird. The attention to detail is awesome,
ensuring that if you are examining it from three inches away or 10 feet,
you get a mighty jolt of aesthetic pleasure. If this nature of art was a
genre of music, it could be found under a ’psychedelic surf-funk’ section!”

Almost as if an act of social, or self-therapy, each piece he paints in public, is like an an expressive
statement, or a peaceful protest in restoring the value of human potential & faith in Artistic freedom.

His intentions are to become a unique & personal experience to the viewer, stimulating new thought
patterns & imagination, inviting them to look within and awaken an inner depth of dormant senses,
breaking down possible conditioning and preconceived notions the viewer may have along the way,
whilst connecting with them through a mutual resonance in the universal language of Art & inspiration.

This is important to Morgan, as he witnesses and is sensitive to the dull lack of honest creativity
+ colour use in societies day-to-day capital, and with this motive, attempts to restore imbalances by
decorating urban grey matter with his rosy glow of colour vitality & free-flowing pattern undulation,
A calling to the direction of Art to be more inclusive, free and publicly accessible to wider audiences.

Beata Maria Kolodynska

https://www.facebook.com/BeataMariaKolodynska

I am an artist passionate about many fields of art, but I mainly deal with oil painting and creating copper jewelry. My inspiration is nature, through the world of plants, animals and landscapes. In my works, I sometimes like to refer to impressionistic lights and colors, and sometimes I want to create decorative fairy-tale worlds. When creating jewelry, I am inspired by the raw patterns of primitive old cultures.

Emiliya

https://www.instagram.com/emaemiliya_art_trial/

I'm a new artist. I used to draw in my teens age and later as most of us just give up. Now the pandemic makes me go back to my hobbie. Unfortunately, I have no website yet but using social media.

Francesca Busca

https://www.francescabusca.art/

As an Eco-artivist, 'Rubbish artist,' and mosaicist, I pioneer sustainable art, creating works entirely from waste and with the minimum possible environmental impact.

Haunted by mankind’s imminent self-destruction, I believe in systemic re-thinking. Each tessera I create is a protest against our disposable lifestyle.

My commitment to sustainability encompasses every aspect of my life, from veganism to renewables, second-hand clothes, and not flying.

Formerly a City solicitor, I graduated with distinction from LSoM in 2019, where I also lectured Fabrication. Internationally, I exhibited in 100+ venues, was published in 90+ articles and textbooks, and won 20+ awards. I ama member of the Insights Of An EcoArtist community (IOAEA), the By/Design collective, Act for Ealing, BAMM, Heritage Crafts, VAA and Mensa.

I am the founder of Payment in Kind(ness)© (accepting eco-friendly actions as payment towards my artwork) and of ArtforTrash© (creating artwork with the clients’ own waste). I donates 10% of any ArtforTrash commission to Neptune's Pirates (or other environmental charities), and I run pro-bono projects on eco-awareness.

I amnow on retainer with the Institute of Marine Sciences in Venice for the next few years.

Richard Cook

https://www.richardcookart.com/

My interest is in the play of colour and texture as they revolve around nature and people. I use digital software to re-work sketches, painting and photographic images to explore the play of colour, texture and line that presents itself. It's a multi-layered approach whereby original sketches and photographs may be re-worked, re-painted and then re-worked a number of times till completion of the final image – a process that can take many months. My aim is to delight and surprise the viewer – for them to see and feel an abstraction of the familiar re-presented from a new perspective.

Richard Elson

Personal website

Filmmaker.
Writer and Director for TV, film and theatre.
Self shooting artist and photographer in traditional and 360 virtual reality filming.
Passionate about social justice and the environment.
Phone number is my agent's number (Andrew Naylor, United Agents)
linktr.ee/elsonmedia

Hodah

Hodah

I’ve only just begun my journey in printmaking. For a good part of my life I didn’t allow myself to ‘create’. I would spend my time wasting time. Now I’m taking the STEPS necessary to live the best life I can live. Take it easy, but take it! I’m from New York City, but have been living in ‘ManhActon’ for almost twenty years.

STIK

STIK

Stik started painting unofficial, socially conscious murals in his hometown of Hackney, East London in 2001. His simple stick figures wordlessly tell the story of his community and he frequently collaborates with hospitals, charities and homeless organisations. Working from his East London studio, these projects are largely self-funded and he now creates monumental artworks with communities across the world.

Georgie Moore

https://www.georgiemooreart.com/

Nudes and nature are my most prominent source of inspiration and subject. I believe that depicting people in their most natural form expresses a sense of honesty and vulnerability. Furthermore, clothes would date the image and constrict the artwork to a precise moment in time. I try to make the era and location somewhat ambiguous and unrecognizable, because I like to create images that are both comforting with their familiarity, but also raise curiosity and questions open to each personal interpretation.

In an aim to rekindle a somewhat lost relationship with something that is fundamental to our survival and well-being, my work focuses on the human relationship with nature. Female forms are reoccurring in my practice as they too have the ability to create and bring new life to the world. For this reason, they play the role of a metaphor for mother nature herself. Furthermore, I often include animals that I have had personal experiences with and enjoy researching their symbolic meaning

I begin by roughly sketching out my idea, and then do a cyanotype print; a photosensitive chemical process which needs to be exposed in the sun. The outcome varies dramatically depending on weather conditions and time of year. I then paint over the print with acrylic paint. The cyanotype stains the canvas, whereas the acrylic sits on the surface, creating a real contrast in textures. Furthermore, it combines a natural phenomenon with a man made medium. I also enjoy playing with scale by having recognisable plants larger than the figures, as it emphasizes how we are a small part of the world and not the center, nor the most significant...

Alexander Michael