I am a textile and mixed media artist working with found objects. My mission is to re-use and recycle discarded materials in a transformative way. Recognising that an alternative view can also be beautiful.
I run creative workshops at my local library.
Lily Mixe is a graphic artist originating from Paris who has now based herself within the creative hot bed of London, UK.
Lily?s artwork moves from paper and canvas, found objects and onto the surface of walls in the street.
At the centre of the work is Nature and in particular the Ocean. The subjects are otherworldly, aliens from our own planet. Specimens that offer reminders of how beautiful and complex life on Earth can be and how much of our own planet is unknown and undiscovered.
Inspired by numerous diving expeditions, and hundreds of notebooks and studies of animals and plants, the work is both familiar and unusual. Lily states, ?The work examines life under the surface, the incredible unseen, silent beings we take for granted. I want to give a visual voice to the natural world. I want to celebrate nature in the same way we value precious stones and rare artefacts, I place nature as the highest currency on planet earth?
Lily?s work mutates. It starts as a sketch, it builds and becomes a form, filling and layering textures and patterns that give it a life of its own. The art lives in books, on paper, found objects and ultimately become fully realised when added to the landscape; pasted to bricks and cement, continuing to change over time, changing with the weather, with plants, pollution, graffiti.
The work really starts to take shape once lily walks away. Making the art is only half of the process, placement of the piece is key to its completion, the transient and brutal spirit of nature frames the work, pasting drawings to a wall is an offering, and a sacrifice, an experiment, to see the drawings grow, change, and often be destroyed by the environment and time.
Originally from France, Zabou moved to and started painting London in 2012. She has since then been on a self-appointed mission to paint as much of the capital as possible. With a seemingly endless supply of fresh designs to work with, Zabou is very much one of London?s most proactive artists.
Her works are striking, humourous and thought-provoking, set to elicit a range of emotions upon viewing, depending on the message each mural conveys. Working with a combination of stencil and freehand techniques, she likes to question society and to poke fun at conformists. First and foremost however is the fact that each of Zabou?s subjects are drawn from her personal experiences, taking what she sees around her and projecting it to a new audience.
Beyond this, and what is fundamental about Zabou?s work, is her innate ability to integrate the location and surroundings with her artworks: not just wishing to paint on the street, she makes them part of the street. The pieces harmonise with their surroundings and in turn create something which allows its audience to engage with the work as an installation. This is the very essence of street art and something few artists master, but certainly one of Zabou?s greatest talents.
Her witty and thoughtful designs have given her a much sought after reputation, leading her to travel the world to spread her artistic message of love, fun or rebellion. She has painted in England, France, Portugal, Cyprus, Sweden, Spain, Germany, Netherlands, Dubai and the U.S.A. Beyond her travels, Zabou?s accomplishments include speaking events such as the prestigious TedX conferences on the subject ?Everything you know is wrong? in Limassol, Cyprus (2014), seeing her artwork published in books including: Planet Banksy by Ket (2014) and The World?s 50 Best Women Street Artists by Graffito Books (2017), as well as having her work exhibited at the famous Saatchi Gallery in London as part of the ?XX: A Moment In Time? show curated by Olly Walker (2016).
Zabou is an artist whose techniques and boldness are constantly evolving. She is certainly not set to be stopping on her journey anytime soon, fortunately she has to much left to say to the world.
O. Yemi Tubi - An Artist and Advocate for the World’s Peace.
I am a Nigerian-born, American-trained Artist residing in the United Kingdom an artist with a unique personal style. Most of my recent paintings were influenced by the political and social upheaval of our world today and the works of Renaissance artists.
I was moved by emotion to do most of my political and socially influenced paintings “THE EAGLE HAS LANDED” was done to speak about the American-led war on terror. My painting “THE BLEEDING ROSES” was done in solidarity with Christians beheaded by ISIS in Iraq and Syria. I used my paintings “AFRICAN’T”, “HUNGER IN THE LAND OF PLENTY” and “OIL: AFRICANS’ WEALTH AND WOE” to speak about the exploitation of African nations. The Painting depicts paradoxical poverty and the riches of Africa. my work, “THE FISHERS OF MEN” is about the horror of refugees drowning in the Mediterranean Sea. I also used my painting – “UKRAINE: THE UNFORTUNATE BRIDE” to speak about the America and Russia-influenced war in Ukraine.
My works progress from political paintings to paintings of the facts of the life of people.
The theme of my works, in general, is "The Facts of Life: Roses and Thorns." Life is roses and thorns; sometimes it emanates the sweet aroma of pleasantness and sometimes it pricks and causes pains. I often use roses and thorns for portrait paintings of the facts of people's lives. I first used Roses and Thorns in my political painting “THE BLEEDING ROSES.” Since then I have adopted this floral iconography style - Roses and Thorns as my unique style in some of my paintings like “DOMESTIC ABUSE”, and “MY MOTHER, Her Majesty Platinum Jubilee: Her Rosy Reign” to name a few. Roses are for achievements and other positive parts of life and Thorns are painful challenges and negative parts of life.
London's "pup-up" dog photography service... Bringing communities closer through the love of dogs and photography.
Nudes and nature are my most prominent source of inspiration and subject. I believe that depicting people in their most natural form expresses a sense of honesty and vulnerability. Furthermore, clothes would date the image and constrict the artwork to a precise moment in time. I try to make the era and location somewhat ambiguous and unrecognizable, because I like to create images that are both comforting with their familiarity, but also raise curiosity and questions open to each personal interpretation.
In an aim to rekindle a somewhat lost relationship with something that is fundamental to our survival and well-being, my work focuses on the human relationship with nature. Female forms are reoccurring in my practice as they too have the ability to create and bring new life to the world. For this reason, they play the role of a metaphor for mother nature herself. Furthermore, I often include animals that I have had personal experiences with and enjoy researching their symbolic meaning
I begin by roughly sketching out my idea, and then do a cyanotype print; a photosensitive chemical process which needs to be exposed in the sun. The outcome varies dramatically depending on weather conditions and time of year. I then paint over the print with acrylic paint. The cyanotype stains the canvas, whereas the acrylic sits on the surface, creating a real contrast in textures. Furthermore, it combines a natural phenomenon with a man made medium. I also enjoy playing with scale by having recognisable plants larger than the figures, as it emphasizes how we are a small part of the world and not the center, nor the most significant...
Morgan Davy, Full time, self taught, British outsider artist,
Spray painting the streets since 2001, and working with clients, running workshops and curating events since 2004.
Art residencies include: Lebanon, Africa, Malta, Bulgaria, Poland and Paris..
Art collectives include : TAA - RA - MSC - RMC - ETL - REK - PBC…
Most often known for his style of improvisational street art under the
name ‘MORGASMIK’, lesser known under such aliases as ‘MORGANARCHY’,
‘MORGANIC’ ‘ ‘MORGANISM’ which are used by the artist to portray a
vast range of explorational mediums and alternative creative platforms.
Art critic Nick Razzo once described one of Morgan’s pieces
"Like a sort of hypnagogic supernova all mixed up with Francis Bacon
and the brain scans of someone enjoying an orgasm. At one point it
seems like a sea of rare chemicals on a distant planet, at another it
resembles a monstrous bird. The attention to detail is awesome,
ensuring that if you are examining it from three inches away or 10 feet,
you get a mighty jolt of aesthetic pleasure. If this nature of art was a
genre of music, it could be found under a ’psychedelic surf-funk’ section!”
Almost as if an act of social, or self-therapy, each piece he paints in public, is like an an expressive
statement, or a peaceful protest in restoring the value of human potential & faith in Artistic freedom.
His intentions are to become a unique & personal experience to the viewer, stimulating new thought
patterns & imagination, inviting them to look within and awaken an inner depth of dormant senses,
breaking down possible conditioning and preconceived notions the viewer may have along the way,
whilst connecting with them through a mutual resonance in the universal language of Art & inspiration.
This is important to Morgan, as he witnesses and is sensitive to the dull lack of honest creativity
+ colour use in societies day-to-day capital, and with this motive, attempts to restore imbalances by
decorating urban grey matter with his rosy glow of colour vitality & free-flowing pattern undulation,
A calling to the direction of Art to be more inclusive, free and publicly accessible to wider audiences.
One constant theme evident in Yousif's numerous, paintings and drawings is the suffering of Iraq and the pain of exile. His largest project Black Rain is an ongoing undertaking, which began as a painting project during the build up to the 2003 invasion of Iraq. It quickly acquired momentum and generated much local media coverage. Gradually it evolved into a a series of paintings comprising of multi-and-single media works, ranging from gigantic canvases to small drawings, collages and paintings, all inspired by the horrors of war.
I am an artist and architect based in West London.
My medium is black ink pen and marker on Fabriano paper. I create a series of drawings and am currently working on a Biophilia project focused on nature and culture themes.
I was brought up in the forest of Borneo and my work reflects my heritage of living in nature.
My drawings series began in 2010 amid the financial crisis. Then after the pandemic struck in 2019, I have been rigorously spending more time on drawing series in which I am seeking a representation for my works.
Martin's practice reflects a lifelong fascination with a non-dualistic conception of the world, which both feeds and is informed by his interest in Buddhism, where states considered to be binary opposites can co-exist in the same time and place. The heightened sense of reality as encountered in dreams and moments of clarity is at the core of his work. His pursuit of photography, video and timbre-based electronic music can be traced back to his school days.
Photomontage and music has been the basis of much of his recent practice, but he employs whichever medium he finds most appropriate for a given project, and works include sculpture, assemblage, and chocolates moulded from his own body. He performs and records under the name "Flooded Access", and in the audio/visual project "on&off"