Teddy Baden is not simply driven by a fascination with dogs. Literally viewing them as ‘Hairy Aliens, living amongst us’… his artwork is a celebration of an incredible relationship, of human society’s historic and endearing subsumption of another species. 'Fly Bye' 2015 Near Latimer Road, West London pictured.
One constant theme evident in Yousif's numerous, paintings and drawings is the suffering of Iraq and the pain of exile. His largest project Black Rain is an ongoing undertaking, which began as a painting project during the build up to the 2003 invasion of Iraq. It quickly acquired momentum and generated much local media coverage. Gradually it evolved into a a series of paintings comprising of multi-and-single media works, ranging from gigantic canvases to small drawings, collages and paintings, all inspired by the horrors of war.
London-based Carnival artist Carl Gabriel has achieved international renown for his large-scale sculptures, lovingly handcrafted through the disappearing art of traditional wire bending. These have been exhibited at the British Library, the Science Museum in London, Ohio State University. Carl's greatest inspiration came through childhood experiences of Carnival in Trinidad.
I believe the secret to taking great photographs is opportunity.
The braver and more courageous you are, the greater the rewards will surely be. I am heavily inspired by my travels and adventures around the world but also discovering things a lot closer to home. I love the diversity that each photograph can bring and I embrace the excitement that a new challenge can present.
Lily Mixe is a graphic artist originating from Paris who has now based herself within the creative hot bed of London, UK.
Lily?s artwork moves from paper and canvas, found objects and onto the surface of walls in the street.
At the centre of the work is Nature and in particular the Ocean. The subjects are otherworldly, aliens from our own planet. Specimens that offer reminders of how beautiful and complex life on Earth can be and how much of our own planet is unknown and undiscovered.
Inspired by numerous diving expeditions, and hundreds of notebooks and studies of animals and plants, the work is both familiar and unusual. Lily states, ?The work examines life under the surface, the incredible unseen, silent beings we take for granted. I want to give a visual voice to the natural world. I want to celebrate nature in the same way we value precious stones and rare artefacts, I place nature as the highest currency on planet earth?
Lily?s work mutates. It starts as a sketch, it builds and becomes a form, filling and layering textures and patterns that give it a life of its own. The art lives in books, on paper, found objects and ultimately become fully realised when added to the landscape; pasted to bricks and cement, continuing to change over time, changing with the weather, with plants, pollution, graffiti.
The work really starts to take shape once lily walks away. Making the art is only half of the process, placement of the piece is key to its completion, the transient and brutal spirit of nature frames the work, pasting drawings to a wall is an offering, and a sacrifice, an experiment, to see the drawings grow, change, and often be destroyed by the environment and time.
Carrie is a self-titled craftivist who works from a mosaic-covered HQ, The Treatment Rooms in west London. Her work blurs the boundaries between craft and activism, using the craft techniques of mural, mosaic and screen-printing to create intricate, highly politicised works of art.
Stik started painting unofficial, socially conscious murals in his hometown of Hackney, East London in 2001. His simple stick figures wordlessly tell the story of his community and he frequently collaborates with hospitals, charities and homeless organisations. Working from his East London studio, these projects are largely self-funded and he now creates monumental artworks with communities across the world.