OurArtists

me drawing en plein air
Brancaster Beach
Visual artist

Tian Zhang

My art on Behance

Serious hobbist in watercolour and visual arts while being a full-time landscape architect. My works are inspired by nature and cultural landscapes.

Myself
My Paintings
Painter

Vita

Art is not just a hobby, it’s a lifestyle!

Armed
Mixed media, sculpture, digital art and collage
Mixed Media

M Dillon

M Dillon Artist

M Dillon is an artist and designer who makes mixed media collage and sculpture that might appear superficially decorative or humorous, but there is a narrative beyond the decoration that aims to provoke a specific response of disquiet.

Logo
Sign
Painter and Photographer

Samuel Golc

HadashArt

Being both an artist and art psychotherapist, I am interested in the healing capacity of art as well as its role in conveying meaning and communication with both the internal and external words. I draw inspiration for my paintings from my unconscious as it manifests in dreams and visions. I am inspired by esoteric sciences such as Kabbalah and quantum mechanics. My treatment of photography evokes that of painting and is highly experimental in nature. The shots are created with the use of self-made optical devices, which allow me to beguile the camera into shooting abstract images. In more than one way these instruments replace paint tubes and brushes.

Jacqui Sinnatt photo
Roaring Lion Hear me Roar image by Jacqui Sinnatt
Digital artist, photographer

Jacqui Sinnatt

https://www.stagneseve.com/art-prints/

A self portrait of myself, Sarah Olive Edwards, made using a pink cuddly blanket and lots of colourful ribbons outlinging a face a shoulders.
A photo of a brightly coloured acrylic painting named 'Ruby' of a fat & gorgeous person feeling great, cropped so it includes only her body and upper thighs.
Mixed media painter

Sarah Olive Edwards

instagram.com/sarahtonin_seeker

Learning in my thirties that I'm autistic has resulted in a journey of reflection, re-evaluation and self love. I paint those who identify as women and non-binary in order to improve compassion towards my internal & external self, relearning a lifetime of neurotypical conditioning and the effects of capitalism on the way I view myself, and to see bodies as the work of art they are.

I create mixed media pieces, primarily using acrylics, and simple materials such as gel wax pens and oil pastels.

Elizabeth Groth
Cloud Seven, Madrid, Spain
Painting, installation, sculpture, collage, print, fibers

Elizabeth Groth

http://www.elizabethgroth.com/

Elizabeth Groth is a Texan artist & educator in North Acton, London.

glass painting, watercolours, acrylics
Artem in Lucem
multimedia artist

Anna Twarog

Artem in Lucem

I was always fascinated by the vibrancy and intensity of the colours in glass and the way it comes to life when exposed to light, stained glass windows in churches or sun catchers and I tried to duplicate those effects in my digital work, blending them with my view of the world – the lines and connections between nature and people. A few years ago I started experimenting with painting on glass.

Being a self-taught artist gives me pleasure and freedom to find my own style while expressing myself with mediums I choose to work with. My work evolves through my own personal experience finding an inspiration in nature, folklore, myths and legends. I love to explore unique colours, movement, energy, texture, emotions and music with every new work.

Ijo Iyawo (Bridal Dance)
O Yemi at work
Visual Artist

O Yemi Tubi(MOYAT)

https://o-yemi-tubi.pixels.com

O. Yemi Tubi - An Artist and Advocate for the World’s Peace.
I am a Nigerian-born, American-trained Artist residing in the United Kingdom an artist with a unique personal style. Most of my recent paintings were influenced by the political and social upheaval of our world today and the works of Renaissance artists.
I was moved by emotion to do most of my political and socially influenced paintings “THE EAGLE HAS LANDED” was done to speak about the American-led war on terror. My painting “THE BLEEDING ROSES” was done in solidarity with Christians beheaded by ISIS in Iraq and Syria. I used my paintings “AFRICAN’T”, “HUNGER IN THE LAND OF PLENTY” and “OIL: AFRICANS’ WEALTH AND WOE” to speak about the exploitation of African nations. The Painting depicts paradoxical poverty and the riches of Africa. my work, “THE FISHERS OF MEN” is about the horror of refugees drowning in the Mediterranean Sea. I also used my painting – “UKRAINE: THE UNFORTUNATE BRIDE” to speak about the America and Russia-influenced war in Ukraine.
My works progress from political paintings to paintings of the facts of the life of people.
The theme of my works, in general, is "The Facts of Life: Roses and Thorns." Life is roses and thorns; sometimes it emanates the sweet aroma of pleasantness and sometimes it pricks and causes pains. I often use roses and thorns for portrait paintings of the facts of people's lives. I first used Roses and Thorns in my political painting “THE BLEEDING ROSES.” Since then I have adopted this floral iconography style - Roses and Thorns as my unique style in some of my paintings like “DOMESTIC ABUSE”, and “MY MOTHER, Her Majesty Platinum Jubilee: Her Rosy Reign” to name a few. Roses are for achievements and other positive parts of life and Thorns are painful challenges and negative parts of life.

Me at Future Visions
Venting in Ryebank (film still)
Multidisciplinary

Eva Joy Lawrence

Website

I am a multidisciplinary artivist whose ideas circulate around protest, apocalyptic possibilities, climate change and utopia. I often take an anarchic view to traditional spaces for art and prefer using public interventions and community collaborations to spark energy for change. I grew up in Brentford and I have a degree in Fine Art and Art History from Manchester School of Art and The University of Barcelona. I am currently based in London and I have always lived in cities; the grit and absurdity of which are often captured in my works. My practice sits on a line between humour and horror, humour being a useful tool with which to approach hyperobjects such as the climate crisis and neoliberal global capitalism. I regularly use recycled materials and objects collected from the streets to make work as an act of non-monetary exchange, community cleaning and through which I enjoy subverting the elitism which surrounds the art world.

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