Leanne is a multi-disciplinary graphic designer and illustrator based in South London. She has experience working with a variety of clients on anything from flyers, children’s books, wall decals, logos, magazines and more. Using vivid colour and complimentary graphics, she creates attractive and compelling designs, with harmony between imagery and typography.
JAN STEVENS NAPA (National Acrylics Painters Association)
My paintings are in UK private collections
Selected for Exhibitions at Royal Watercolour Society Open in London, NAPA Summer Shows at Chichester and St Ives, Water Street Gallery Todmorden, W3 Gallery, Orleans Gallery, The Bowman Gallery Richmond.
Jan in Conversation
‘My ethos is fluid, open and colourful. Water flows, so does my abstract art. I am inspired by our amazing ocean, river and coastal landscapes, a quality-loving creative mother and a mathematical engineering fun father. Cornish raised, state-degree-educated, global business wise and South West London living fuse to celebrate my creativity. Painting for me is very freeing, momentary and healthy. Once a piece is finished, I remember a curious happiness from a time well spent.
I often pour water based paints, preferring acrylics for their range of consistency. Gestural brush marks create movement with more solid shapes adding a depth and floating sensation inspired by nature. I like to use companies with a sustainability focus such as St Cuthberts paper mill in Somerset or Fabriano paper mill in Italy. I have a reuse/recycle policy.
Enjoy’.
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I was always fascinated by the vibrancy and intensity of the colours in glass and the way it comes to life when exposed to light, stained glass windows in churches or sun catchers and I tried to duplicate those effects in my digital work, blending them with my view of the world – the lines and connections between nature and people. A few years ago I started experimenting with painting on glass.
Being a self-taught artist gives me pleasure and freedom to find my own style while expressing myself with mediums I choose to work with. My work evolves through my own personal experience finding an inspiration in nature, folklore, myths and legends. I love to explore unique colours, movement, energy, texture, emotions and music with every new work.
Carrie is a self-titled craftivist who works from a mosaic-covered HQ, The Treatment Rooms in west London. Her work blurs the boundaries between craft and activism, using the craft techniques of mural, mosaic and screen-printing to create intricate, highly politicised works of art.
I am an artist passionate about many fields of art, but I mainly deal with oil painting and creating copper jewelry. My inspiration is nature, through the world of plants, animals and landscapes. In my works, I sometimes like to refer to impressionistic lights and colors, and sometimes I want to create decorative fairy-tale worlds. When creating jewelry, I am inspired by the raw patterns of primitive old cultures.
I’ve only just begun my journey in printmaking. For a good part of my life I didn’t allow myself to ‘create’. I would spend my time wasting time. Now I’m taking the STEPS necessary to live the best life I can live. Take it easy, but take it! I’m from New York City, but have been living in ‘ManhActon’ for almost twenty years.
Elizabeth Groth is a Texan artist & educator in North Acton, London.
I am a textile and mixed media artist working with found objects. My mission is to re-use and recycle discarded materials in a transformative way. Recognising that an alternative view can also be beautiful.
I run creative workshops at my local library.
My name is Yorgos (U.SAID.IT), I am a Painter and a Street Artist.
My multi-cultural upbringing, dark materialism, gender inequalities, fear, and uncertainty in our world in crisis has inspired my work on human complexity. Rather than focusing on cognitive justifications and expressions, I follow human gestures, taking physical interactions as signs for meanings, emotions, and relations. The moral and emotional qualities of human beings are embodied and emerge through the movement of the body and its interaction with space. The bodies are naked, which enhances its distance from socially constructed views of class, distinction, beauty, and sexuality.