Stik started painting unofficial, socially conscious murals in his hometown of Hackney, East London in 2001. His simple stick figures wordlessly tell the story of his community and he frequently collaborates with hospitals, charities and homeless organisations. Working from his East London studio, these projects are largely self-funded and he now creates monumental artworks with communities across the world.
Bio: Sarah has worked in the creative industries for 14+ years as a freelance graphic designer, and has now expanded into the area of arts facilitation.
Sarah’s involvement with collective arts creation was stirred most recently while creating a mural at local mental health charity MindFood, and she went on to be a co-founder of Welcome Create, a community art group at Pitzhanger Manor & Gallery.
She enjoys working with all ages, and values listening to the needs and desires of those involved to co-produce ideas, creating a sense of learning via exploration and peer-to-peer interactions, connection and increased self-confidence.
In every work I create, I put all I have inside. Every piece tells a story, and it is the result of a very specific feeling. All of them are unique pieces created in a time of internal burning. I find no sense in creating a piece without having a strong sickening need to do so. My pieces are made of fire.
My practice is about boundaries. I believe The rise of the idea of “posthuman” had, in many ways, shaken the fundamentals of dualism. To think that there is an absolute binary relationship between human and machines, nature and culture, object and image, identity, gender ... etc, is simply missing a lot regarding the quintessence of being. And I believe this “missing” is where contemporary art needto engage. Thus I like to work around blurring and challenging these boundaries.I work with image, live art and various forms of media.
I am currently working withbiometric data and computer language, and how the entanglement of the two creating a condition where I am in between physical and non - physical existence, me becoming together with the machine.
My name is Halimah Sadia Zakiuddin. I love art and I have been painting for several years. I mainly paint scenes from nature, landscapes and abstract art. I also enjoy pottery, mosaics, sculpture, jewellery making and glass art. I'm also a writer and a poet and I like to write poems to go with my art. I've exhibition at the Betart fair for 3 years running and I also exhibit at W3 gallery.
My family home is in Cowes on the Isle of Wight. I moved to Southampton to complete an Art Foundation course followed by a three-year Textile Degree at Farnham Art College, after which I worked as a print designer in London for 2 years, giving me a more rounded understanding of the textile industry.
Wanting an adventure, I spent the summer of 92 working with young children in the Catskill Mountains in New York, as part of the Camp America summer camp program, before travelling the East coast of America. Several years working in retail funded a year-long backpacking trip through Thailand, Vietnam, Malaysia, Indonesia, Singapore, and Hong Kong.
Returning to London, I started working for Marks and Spencer, where I’d stay for the next 22 years in a variety of roles. I started as a merchandiser but soon returned to my passion as a textile designer progressing to senior textile designer within a few years.
Working for M&S as a textile designer was my dream job. I worked creatively every day with textiles, following the latest lifestyle, product, and colour trends. I travelled the world as part of a team visiting textile fairs, shopping for inspiration, and working closely with factories to deliver beautiful product for the seasonal ranges.
In 2020, the impact of COVID meant I was furloughed for seven weeks and by the end of the year, the M&S design team was reduced by half resulting in my redundancy.
In that time, my younger sister asked if I’d like to illustrate a story that she was writing for her two young sons. Redundancy allowed me to focus on illustrating the book while also giving me the time to learn about the book publishing industry. From hand-painting the watercolour illustrations, to book layout design, to learning about print and production techniques.
I sourced a UK print house as sustainability is very important to us both, and we printed the books in the UK to keep their carbon footprint low, using FCS certified paper and vegetable inks.
In 2021 Frederick the Fox was rolling off the presses! Having learned a lot about production, marketing and distribution, we published our second book, Maximus the Mouse in 2023.
Both books are beautiful rhyming stories of friendship, brought to life with colourful hand painted watercolour illustrations perfect for children up to six years old.
I work at my small kitchen table in Chiswick and enjoy painting and experimenting with my trusty set of watercolours. If I’m not painting, I’m using my MacBook Pro to digitize artwork or to stay in touch with current retail partners and to contact new potential partners, set up book readings, craft sessions, or market stalls.
Illustrating Maximus the Mouse planted the seed for me to explore other products using both my existing and new artwork. This summer I produced a range of animal alphabet prints that I’m selling through select retail partners. Each design is beautifully hand painted with watercolours then Giclee printed onto a high quality art paper using fade resist inks. Perfect for adding a personal touch to any nursery, child's bedroom or playroom . Or if you're looking for something smaller each print has been developed as a greetings card.
Future plans include product personalisation within the Inky Flamingo range.
Morgan Davy, Full time, self taught, British outsider artist,
Spray painting the streets since 2001, and working with clients, running workshops and curating events since 2004.
Art residencies include: Lebanon, Africa, Malta, Bulgaria, Poland and Paris..
Art collectives include : TAA - RA - MSC - RMC - ETL - REK - PBC…
Most often known for his style of improvisational street art under the
name ‘MORGASMIK’, lesser known under such aliases as ‘MORGANARCHY’,
‘MORGANIC’ ‘ ‘MORGANISM’ which are used by the artist to portray a
vast range of explorational mediums and alternative creative platforms.
Art critic Nick Razzo once described one of Morgan’s pieces
"Like a sort of hypnagogic supernova all mixed up with Francis Bacon
and the brain scans of someone enjoying an orgasm. At one point it
seems like a sea of rare chemicals on a distant planet, at another it
resembles a monstrous bird. The attention to detail is awesome,
ensuring that if you are examining it from three inches away or 10 feet,
you get a mighty jolt of aesthetic pleasure. If this nature of art was a
genre of music, it could be found under a ’psychedelic surf-funk’ section!”
Almost as if an act of social, or self-therapy, each piece he paints in public, is like an an expressive
statement, or a peaceful protest in restoring the value of human potential & faith in Artistic freedom.
His intentions are to become a unique & personal experience to the viewer, stimulating new thought
patterns & imagination, inviting them to look within and awaken an inner depth of dormant senses,
breaking down possible conditioning and preconceived notions the viewer may have along the way,
whilst connecting with them through a mutual resonance in the universal language of Art & inspiration.
This is important to Morgan, as he witnesses and is sensitive to the dull lack of honest creativity
+ colour use in societies day-to-day capital, and with this motive, attempts to restore imbalances by
decorating urban grey matter with his rosy glow of colour vitality & free-flowing pattern undulation,
A calling to the direction of Art to be more inclusive, free and publicly accessible to wider audiences.
Ruby Khan is a London based contemporary artist. She has recently graduated with a Fine Arts BA (Hons) degree at the University of East London. She specialises in printmaking, painting, photography, sculpture and installation. Her work intends to trigger ideas around the diversity and history of London from a personal perspective. Her work is celebrating the physical and emotional journey she has undertaken throughout her life. At a young age, Ruby attended art therapy sessions during her childhood; Art supported her throughout her life in speaking and writing. At the age of five, Ruby was diagnosed with a speech-language impairment affecting her self-confidence. Through the
ongoing support of a charity called Contact a Family, Ruby has grown into a strong independent and fearless individual expressed in her prints. Inspired by German expressionist art as she uses shapes, abstract colours and gestural mark-making. She is available for commissions.
I was always fascinated by the vibrancy and intensity of the colours in glass and the way it comes to life when exposed to light, stained glass windows in churches or sun catchers and I tried to duplicate those effects in my digital work, blending them with my view of the world – the lines and connections between nature and people. A few years ago I started experimenting with painting on glass.
Being a self-taught artist gives me pleasure and freedom to find my own style while expressing myself with mediums I choose to work with. My work evolves through my own personal experience finding an inspiration in nature, folklore, myths and legends. I love to explore unique colours, movement, energy, texture, emotions and music with every new work.
O. Yemi Tubi - An Artist and Advocate for the World’s Peace.
I am a Nigerian-born, American-trained Artist residing in the United Kingdom an artist with a unique personal style. Most of my recent paintings were influenced by the political and social upheaval of our world today and the works of Renaissance artists.
I was moved by emotion to do most of my political and socially influenced paintings “THE EAGLE HAS LANDED” was done to speak about the American-led war on terror. My painting “THE BLEEDING ROSES” was done in solidarity with Christians beheaded by ISIS in Iraq and Syria. I used my paintings “AFRICAN’T”, “HUNGER IN THE LAND OF PLENTY” and “OIL: AFRICANS’ WEALTH AND WOE” to speak about the exploitation of African nations. The Painting depicts paradoxical poverty and the riches of Africa. my work, “THE FISHERS OF MEN” is about the horror of refugees drowning in the Mediterranean Sea. I also used my painting – “UKRAINE: THE UNFORTUNATE BRIDE” to speak about the America and Russia-influenced war in Ukraine.
My works progress from political paintings to paintings of the facts of the life of people.
The theme of my works, in general, is "The Facts of Life: Roses and Thorns." Life is roses and thorns; sometimes it emanates the sweet aroma of pleasantness and sometimes it pricks and causes pains. I often use roses and thorns for portrait paintings of the facts of people's lives. I first used Roses and Thorns in my political painting “THE BLEEDING ROSES.” Since then I have adopted this floral iconography style - Roses and Thorns as my unique style in some of my paintings like “DOMESTIC ABUSE”, and “MY MOTHER, Her Majesty Platinum Jubilee: Her Rosy Reign” to name a few. Roses are for achievements and other positive parts of life and Thorns are painful challenges and negative parts of life.